I have a fondness for mid-late 1980s action movies.
Nothing particularly unusual there for a person of my vintage, except I seem to have a strange ability to recall relatively trivial and obscure details.
The character names of the first 3 marines who get killed in Aliens; the career path of the actor who plays crazy computer hacker Theo in the first Die Hard; the location of the parking lot where Doc and Marty test the DeLorean in Back to the Future…and much, much more.
Yep, I’m the life and soul of the party.
One of my favourite characters from the period features in the (rightfully) much-maligned Crocodile Dundee 2.
He is, of course, Leroy Brown.
Leroy is trying to live up to his name of being a bad guy on the streets of late 1980s New York, despite being a humble stationery salesman who happens to have a better than average Rolodex.
He’s Mick Dundee’s connector, facilitator and enabler — hooking him up with the right gang leaders to know, creating distractions to get him out of sticky situations and generally being a man about town, all whilst rocking a leather flat cap, wraparound sunglasses and a purchase order for office supplies.
Leroy is the kind of guy I want to be around; not just for his fashion sense and links into questionable groups of NYC punks, but for his passion for stationery.
Stationery is one of the best paths to improved memory and creativity. Here’s why.
The joy of stationery
Technology now enables us to compile and sort ideas and information on the fly in all sorts of ways (Evernote, Apple Notes, Instagram, Trello are just four — there are literally hundreds of applications out there to help with this).
I use a bunch of software apps to help make lists and scribble down thoughts, but recently I’ve been returning to pen and paper.
My handwriting is still terrible, but going back to basics has helped improve my creativity, memory and ability to connect ideas and concepts.
It also prevents tapping away on a phone or laptop during a meeting, which most people find rude, even if you are taking notes about what’s being discussed.
My method is to take notes on paper, then either write them up into Apple Notes, before re-distributing them where they may be best utilised (a to-do list, new client database, a subject to research via a web browser, etc.), or put them up on the wall.
This may seem like duplicating work but my memory for the notes I make has improved significantly and links between things seem to appear more easily and in new ways.
I try to re-read my notes as much as I can, dipping back into notes from 3, 6, 12, even 24 months previously to see in which directions new associations, thoughts and implications may take me.
Two of my recent and exciting projects have stemmed from a couple of scratchy notes and drawings I made over a year ago, that only now have I been able to turn into fully formed ideas.
Note-taking for idea discovery
Steven Johnson’s book ‘Where Good Ideas Come From’ is a great read for understanding patterns of innovation and the ways in which we can develop better ideas and creativity.
In the chapter ‘The Slow Hunch’, Johnson explores the stories behind some of Charles Darwin’s greatest discoveries, and the benefits of note-taking to help with the process.
None of Darwin’s major discoveries came about as sudden epiphanies or breakthroughs. They were nearly all a number of smaller hunches that collided, conjoined, crept up in stealth mode, or faded into view slowly.
To keep these slow hunches alive, Darwin regularly re-read and referred back to his many pages of notes and drawings over long periods of time. This process saw new ideas and implications emerge, with Darwin’s famous finches only becoming a fully realised concept nearly 2 years after the pieces of the puzzle started to come together in his notes from the Galapagos.
Without making notes, re-reading them and making associations between seemingly disparate concepts and ideas, Darwin’s discovery of one of natural science’s most important concepts may have never come to be.
Ideas, concepts and hunches take many forms. It helps to have a mix of tools to write them down and develop them in different ways.
I recommend having 3 different sizes of notebook and a few different colours and types of pen.
If you want to take this a step further, you want to go down the route of legendary adman Paul Arden. A couple of his techniques include using watercolours or very soft pencils on occasions when the creativity process is more difficult than usual. That way you can’t focus on details, only on broad strokes and sketches.
Here’s my current stationery setup:
- A4 lined ring binder style, with a few colours of Sharpie. This is for sitting in the park, hotel lobby or a coffee shop and I’m thinking about bigger ideas, letting the mind wander, or planning out longer periods of time.
- A5 lined, with a biro and a fine line. Most business meetings where I may take 5–10 lines of notes that can be quickly written up and actioned
- A6 graph paper, with a biro and a pencil. Great for sketching, diagrams, charts, and quick notes when on the move. Graph paper is especially useful when, like me, you can’t get close to drawing straight lines.
It’s also worth investing in a decent range of stationery if you’re involved in any kind of project or product development.
Masking tape, various colours of sticky notes, index cards and some colourful fine-liner pens will stand you in good stead to set up a really tactile and memorable agile board.
And for wireframes and even functioning product prototypes you can transform your sketches to digital using tools like the Prototyping on Paper app, before creating something more refined.
Technology continues to amaze me on a daily basis and has made so many tasks better, easier or simply redundant, but I recommend everyone gets themselves a nice line of stationery and take more notes.
It’ll also give you more clarity, help improve your memory, and maybe pull together some of those slow hunches that give the breakthrough you’ve been looking for.
Want more? A collection of productivity tools and resources can be found at my latest side project, Operator’s Handbook.